Mike Chiang, Principal and CEO of Capital College of the Arts, Management, and Technology, earned his Master of Arts (MFA) from the China Conservatory of Music.

Mike is a dynamic leader in education, boasting rich academic experience and exemplifying outstanding leadership in action. In his role as Principal of CCAMT, he is dedicated to crafting an invigorating and stimulating learning atmosphere for students through pioneering educational methodologies and interdisciplinary learning opportunities.

Recognizing the paramount importance of education, Mike is devoted to not only nurturing students’ academic prowess but also cultivating their creativity, leadership, and collaborative spirit. He firmly believes that by harmonizing tradition with innovation, students can excel in a constantly evolving world.

As an educator, Mike prioritizes not only students’ academic accomplishments but also their holistic growth. He encourages students to engage in diverse extracurricular activities to nurture their interests and broaden their horizons. Additionally, he inspires students to actively address societal concerns, participate in philanthropic endeavors, and cultivate a strong sense of social responsibility and civic awareness.

Under the guidance of Mr. Mike Chiang, Capital College of the Arts, Management, and Technology is advancing toward a brighter tomorrow. His vision is to foster exceptional talents with global competitiveness and a strong sense of social responsibility through education, thereby contributing to the development of Singapore and the global community.

Harris Jahim brings extensive experience in performing arts and educational management to Capital College. His academic journey includes a B.A. from Murdoch University, undergraduate studies at the University of Miami, graduate work at Ohio University, and an M.F.A. in Acting from Florida Atlantic University. He trained under Arthur Lessac in Kinesensic Body and Voice and is completing a Doctor of Education.

Mr. Harris’s expertise spans acting, education, directing, and fight choreography. He has held adjunct professorships at Florida Atlantic University (Florida), Central Piedmont College (North Carolina), Blue Lake Arts Academy (Michigan), and the Nanyang Academy of Fine Arts (Singapore). He also served as Program Leader at LASALLE College of the Arts and Subject Head of Theatre at the School of the Arts Singapore (SOTA).

As Chief Academic Officer at CCAMT, he leads academic affairs and strategy. He champions equity, and innovation in education, understanding the challenges faced by diverse students. An accomplished artist and researcher, he has presented at numerous conferences and directed various productions.

Presentations/Publications:

• “Silat: A Gateway to Actor Training and Training the Actor” – SDEA Theatre Arts Conference 2013, Singapore
• “Actors’ On The Cusp: Preparing actors for training” – IUGTE Performing Arts Training Today 2011, Vienna, Austria
• “Utilizing Lessac Kinesensic to heal the body, voice & spirit” – SDEA Theatre Arts Conference 2011, Singapore

Memberships:

• Association of International Education Administrators (AIEA)
• Association of Higher Education Professionals (AHEP)
• International Education Association of Australia (IEAA)

Dr. Tay Teow Kiat holds several prestigious positions in the world of Chinese orchestral music, including Music Director of the East Zone Schools’ Chinese Orchestra Development Centre, President of the Singapore Chinese Instrumental Music Association, and Music Director of both the City Chinese Orchestra (CCO) and Dingyi Chamber Ensemble. Additionally, he serves as Resident Conductor of the Dunman High School Chinese Orchestra (DHSCO). Dr. Tay is often regarded as the pioneer of Chinese orchestral music in Singapore.

Since 1982, Dr. Tay has led the DHSCO on numerous international performance tours, showcasing their talents in countries such as Thailand, Hong Kong, Taiwan, Malaysia, Brunei, China, and many others. Furthermore, he has conducted the NAFA CCO in concerts in Beijing, Tianjin, Jilin, and Taiwan.

In a 1992 article by People’s Music, a Chinese music magazine, Dr. Tay’s conducting style was praised for its precision, sensitivity, and grace. His deep understanding of traditional music culture allows him to accurately interpret various styles, bringing out the true essence of each piece.

Dr. Tay’s impact extends beyond the orchestras under his direction, as he has also been instrumental in nurturing young musical prodigies in Singapore. Many have gone on to become professional musicians and conductors in their own right. Both orchestras and numerous students under his tutelage have earned accolades like “Best Performance Awards,” “Best Orchestra Awards,” and top prizes in national and Singapore Youth Festival Chinese Music Competitions. These accomplishments have elevated the standard of Chinese music in Singapore and laid a solid foundation for future excellence.

In recognition of his contributions, Dr. Tay has received numerous awards, including the National Day Efficiency Medal (1989), the Commendation Plaque for music and dance activities (1991), the National Arts Council Cultural Medallion (1993), and the National Day Award-Long Service Medal (Education Service) (1997).

Dr. Tay’s influence extends across international borders, as he serves in honorary and guest roles for various Chinese music societies, associations, orchestras, and educational institutions in China.

Dr. Ling Hock Siang is an accomplished erhu performer with a doctoral degree in art studies. He is a recipient of several prestigious awards, including the 2004 Young Artist Award and the Singapore Youth Award (Culture and Arts Team Category, The Huqin Quartet). In 2021, he received the Commendation Award by Singapore Chinese Orchestra (SCO) and was recognized for his outstanding contributions by the China Yangtze River Delta National Orchestra Performance.

Dr. Ling’s musical journey began when he graduated with a Bachelor’s degree from the Shanghai Conservatory of Music in 1998. He continued his studies under the tutelage of Professor Wang Yongde, becoming the first Singaporean to achieve a Master’s degree in erhu performance in 2005. In 2012, he earned a doctoral degree in arts studies (theory) from Beijing Normal University, studying under Professor Zhang Xiaomei.

Dr. Ling joined the SCO in 1997 as an erhu player and is currently the Erhu Associate Principal. He has performed with the SCO in various European and Asian countries. He has also held several solo and group recitals, including “Hock Siang & Friends” and “Oriental Folk Music” with ex-SCO guan musician Han Lei. He has performed as a member of the SCO Silk String Quintet “5trings” and the Huqin Quartet.

Dr. Ling also holds several teaching positions, including Artistic instructor of the City Chinese Orchestra (CCO), Erhu Instructor of the Singapore Youth Chinese Orchestra (SYCO), and Adjunct Instrumental Teacher (Erhu Performance) of the School of the Arts (SOTA). He has been an adjudicator for the National Arts Council’s biennial National Music Competition since 2006.

Dr. Ling has represented Singapore at international conferences on the erhu and frequently participates in workshops and arts meets in Asia. His passion for music and the erhu has taken him to various parts of the world, sharing his knowledge and skills with others.

Dr. Jay, an Oxford-educated anthropologist, has a deep-rooted passion for art, architecture, and design history. She previously worked as a researcher in the Ethnography and Oriental Antiquities departments at the British Museum in London and as an Editor for the Macmillan Dictionary of Art. Dr. Jay now resides in Singapore.

Her career in Singapore began as a Senior Editor for The Indonesian Heritage Series, followed by freelance work in various art and cultural capacities, including writing art reviews for The Straits Times and other publications. Since 2000, she has taught at LASALLE College of the Arts, leading Diploma and BA courses on the History of Art, Design, and Architecture, as well as teaching classes on theatre history and anthropology. Dr. Jay also teaches at NTU in a program focusing on Singapore’s creative and cultural industries.

In addition to her teaching, Dr. Jay remains active in writing and publishing. She collaborated with the Singapore Institute of Architects on a book about the history of Singapore’s architectural profession and currently serves as Senior Editor for BAB, an Indonesian publisher that produces books on Indonesia’s art, culture, and archaeology. Her latest collaborations involve working with prominent Indonesian textile collectors from Lampung and the Batak people in Sumatra to explore the history, anthropology, and iconography of these endangered cultural heritages.

A dedicated traveler and researcher, Dr. Jay frequently returns to Europe to study art and architecture and explores new destinations in Asia and Africa whenever her busy schedule allows.

As an accomplished storyteller and educator, Ms. Kamini M Ramachandran has made significant contributions to the field of storytelling in Asia. She founded MoonShadow Stories, which pioneered performance storytelling for adult audiences in Singapore. Kamini teaches at LASALLE College of the Arts and directs their annual student showcase, Stories Through The Mind’s Eye.

Ms. Kamini has organized conferences and festivals, served as Creative Producer for StoryFest: International Storytelling Festival Singapore, and founded The Storytelling Centre Ltd, a non-profit organization. She also established the Young Storytellers Mentorship Programme to nurture emerging talent.

A Fellow of the Royal Society of Arts, Ms. Kamini holds a Bachelor’s degree in English Language & Literature (Hons) from the University of Reading, UK, and a Master’s degree in Arts Pedagogy & Practice from Goldsmith’s, University of London. She has performed commissioned works for prestigious institutions like The Esplanade, The Arts House, and the National Arts Council.

With a captivating storytelling repertoire, Ms. Kamini has performed globally, earning the title of “Singapore’s most mesmerizing storyteller” by Professor Tommy Koh at the International Summit of the Book. Fluent in English and Malay, her storytelling encompasses Malaysian legends and folklore, as well as original tales, urban legends, and classic epics.

In addition to her impressive storytelling career, Ms. Kamini has provided consultancy services for museums, educational institutions, festivals, and organizations, creating content for heritage and educational projects, folklore publications, and museum exhibitions.

Ms. Kamini is a dedicated community artist who has traveled extensively, including staying with indigenous tribes in Malaysia’s jungles, to preserve traditional stories. Her storytelling continues to inspire and heal, as she shares the power of stories with audiences around the world.

Mr. Han is a seasoned legal professional, has been practicing law since 1998 and has dedicated over 16 years of his career to Hoh Law Corporation. He holds qualifications as a Barrister at Law of the Inner Temple (UK) and as an Advocate and Solicitor of the Supreme Court of Singapore. Specializing in Family Law, his expertise lies in resolving local and international disputes and handling divorce cases involving expatriates from various countries, including the United States, Malaysia, the United Kingdom, Vietnam, China, Korea, Myanmar, and Thailand.

Throughout his extensive legal career, Mr. Han has successfully managed and resolved numerous complex divorce cases and family matters. His services encompass providing counsel and representation in areas such as custody disputes, child abduction, adoption, spousal and interim maintenance claims, contested divorces and ancillary proceedings, personal protection applications and trials, and issues arising from sham marriages. Recognizing the unique challenges faced by the expatriate community in Singapore, He adopts a forward-thinking approach by focusing on mediation and alternative dispute resolution methods to address family and child-related disputes.

Mr. Han’s clientele spans across international borders, with cases involving various intricate situations.